Edouard Vuillard
Edouard Vuillard's Oil Paintings
Edouard Vuillard Museum
November 11, 1868-June 21, 1940. French painter.

About Us
email

90,680 paintings total now
Toll Free: 1-877-240-4507

  
  

Edouard Vuillard.org, welcome & enjoy!
Edouard Vuillard.org
 


   Prev   1   2

Here are all the paintings of Piet Mondrian 02

ID Painting  Oil Pantings, Sorted from A to Z     Painting Description
53077 Shore Piet Mondrian Shore mk226 40x45.5cm
19470 Solitary House Piet Mondrian Solitary House possibly 1898-1900, watercolor and gouache, Haags Gemeentemuseum, The Hague.
19472 Still Life with Gingerpot II Piet Mondrian Still Life with Gingerpot II 1912, oil on canvas, Haags Gemeentemuseum, The Hague.
53076 Summer night Piet Mondrian Summer night mk226 71x110.5cm 1906-1907
53091 Sunset on the sea Piet Mondrian Sunset on the sea mk226 30x40cm c.1909
53106 The apple tree Piet Mondrian The apple tree mk226 78x106cm 1912
53104 The conformation of trees Piet Mondrian The conformation of trees mk226 98x65cm 1912
53059 The houses beside the poplar trees Piet Mondrian The houses beside the poplar trees mk226 40x31.5cm
53061 The houses on the Liyin river Piet Mondrian The houses on the Liyin river mk226 30x38cm 1900
53074 The mill at night Piet Mondrian The mill at night mk226 oil on canvas 67.5x117.5cm c.1905
53080 The Mill under the moonlight Piet Mondrian The Mill under the moonlight mk226 59x73cm 1907
53060 The Rope in front of the farmhouse Piet Mondrian The Rope in front of the farmhouse mk226 Oil on canvas 31.5x37.5cm
53089 The setting sun Piet Mondrian The setting sun mk226 34.5x50.5cm
53056 The still life with plaster Piet Mondrian The still life with plaster mk226 oil on canvas 73.5x61.5cm
53101 The still-life with dressing Piet Mondrian The still-life with dressing mk226 65.5x75cm
53102 The still-life with dressing Piet Mondrian The still-life with dressing mk226 91.5x120cm 1912
53067 The trees beside the kerfi river Piet Mondrian The trees beside the kerfi river mk226 Oil on canvas 23.5x37.5cm
53081 The trees under the moonlight Piet Mondrian The trees under the moonlight mk226 79x92.5cm 1907-1908
53062 The Windmill at the edge of water Piet Mondrian The Windmill at the edge of water mk226 30x38cm 1900-1904
53073 The woman holding the child in front of the farmhouse Piet Mondrian The woman holding the child in front of the farmhouse mk226 22x33cm 1902-1905
53087 Title Piet Mondrian Title mk226 72.5x47.5cm 1908
53107 Tree Piet Mondrian Tree mk226 94x70cm 1912
53103 Trees Piet Mondrian Trees mk226 65x81cm 1911-1912
53055 Trees at the edge of Gaiyin river Piet Mondrian Trees at the edge of Gaiyin river mk226 Oil on canvas 25x32cm
19482 Victory Boogie Woogie Piet Mondrian Victory Boogie Woogie unfinished, 1942-43, oil and paper on canvas, private collection.
53068 White cow Piet Mondrian White cow mk226 oil on canvas 44.5x58.5cm 1903

   Prev   1   2

Piet Mondrian
Dutch 1872-1944 Piet Mondrian Location was a Dutch painter. He was an important contributor to the De Stijl art movement and group, which was founded by Theo van Doesburg. He evolved a non-representational form which he termed Neo-Plasticism. This consisted of a grid of vertical and horizontal black lines and the use of the three primary colours. When 47-year-old Piet Mondrian left his artistically conservative native Holland for unfettered Paris for the second and last time in 1919, he set about at once to make his studio a nurturing environment for paintings he had in mind that would increasingly express the principles of Neo-Plasticism about which he had been writing for two years. To hide the studio's structural flaws quickly and inexpensively, he tacked up large rectangular placards, each in a single color or neutral hue. Smaller colored paper squares and rectangles, composed together, accented the walls. Then came an intense period of painting. Then again he addressed the walls, repositioning the colored cutouts, adding to their number, altering the dynamics of color and space, producing new tensions and equilibrium. Before long, he had established a creative schedule in which a period of painting took turns with a period of experimentally regrouping the smaller papers on the walls, a process that directly fed the next period of painting. It was a pattern he followed for the rest of his life, through wartime moves from Paris to London??s Hampstead in 1938 and 1940, across the Atlantic to Manhattan. At 71 in the fall of 1943, Mondrian moved into his second and final New York studio at 15 East 59th Street, and set about again to create the environment he had learned over the years was most congenial to his modest way of life and most stimulating to his art. He painted the high walls the same off-white he used on his easel and on the seats, tables and storage cases he designed and fashioned meticulously from discarded orange and apple-crates. He glossed the top of a white metal stool in the same brilliant primary red he applied to the cardboard sheath he made for the radio-phonograph that spilled forth his beloved jazz from well-traveled records, Visitors to this last studio seldom saw more than one or two new canvases, but found, often to their astonishment, that eight large compositions of colored bits of paper he had tacked and re-tacked to the walls in ever-changing relationships constituted together an environment that, paradoxically and simultaneously, was both kinetic and serene, stimulating and restful. It was the best space, Mondrian said, that he had ever inhabited. Tragically, he was there for only a few months: he died of pneumonia in February 1944.
Edouard Vuillard
All the Edouard Vuillard's Oil Paintings




Supported by oil paintings and picture frames 



Copyright Reserved